The processor is able to adapt to the incoming signal, adjusting its gain scaling over a longer time period, and gives very fine-grained control over the way signals that exceed the threshold are handled. Its ability to catch and control peaks is a given, but it’s how it does it – and how transparent it is when doing it – that’s most impressive.
Limiters may seem like fairly mundane processors, but Sonnox’s Oxford Limiter is a very different matter. This model is stunning when used for broad-brush mastering EQ work.
#Sonnox oxford limiter vs uad pro
Pro Tools HD / HDX users can also add an optional fifth ‘GML’ model, which is based on the legendary Massenburg GML-8200 analogue EQ. When it comes to mastering it ticks all of the boxes, from gentle broad-brush adjustments to ultra-precise corrections, all of which it delivers with pristine clarity yet without sounding clinical. Its four EQ models make it exceptionally flexible, and suitable for a wide variety of tasks. The Sonnox Oxford EQ plug-in is taken directly from the high-end Sony Oxford R3 digital mixing console. This is ideal when honing and perfecting a montage.
What really makes the difference, though, is that it allows you to create different processing chains for different audio items, which you can then include in a montage while retaining each item’s specific processor chain in editable / adjustable form. The software comes with an extensive collection of high-quality mastering plug-ins, has top-notch metering with oodles of different options, and has many other tools that are perfect for audio mastering work. While you can master using pretty-much any DAW, Steinberg Wavelab is a DAW that’s very much specialised to the task.